Wordless Wednesday: African Art Seen in Madeira

Nile-side Village

I meant this to be a Wordless Wednesday post. Then I realised it needs an explanation.

It’s not a building site. It’s how families in rural Egypt acquire their homes and live. They don’t have mortgages. They save like mad and buy a plot of land. Then they build as much as they can afford. When the money runs out they stop and save again, to build on another storey. When the young ones grow up, they’ll move into the upper storey and have their own families. As families grow and can save more, buildings get higher. I believe it’s not unusual to have three or even four generations living one above the other.

Here and There - a Comparison

Tonight I opened the door to a knock and had to crouch down to be level with the two tiny witches chanting, “Trick or treat.” I offered my basket of treats and one took an apple, the other a toffee éclair. Thump and rustle went their pails of treats and a shadowy mum at the end of the garden path echoed their thanks. Those kids were having a great time out in the dark and a grown up was keeping them safe.

I couldn’t help comparing it with the horrific scenes from Africa that were on the TV news tonight. Congolese refugees outside an aid station had been waiting with no food for two days. They ran out of patience and broke through the gates to get at food for their families. It was a stampede and the children got in the way. The images of terrified tiny faces were heartbreaking. The news team and aid workers intervened and pulled tiny bodies out from under the scrum while the cameras rolled on. Children were separated from their families for long periods. Some were injured with blood streaming down their faces. Why do we let these things happen in this day and age? I am aching for them as I write. Saddened and furious.

Things don’t change much. Louis Michel, European Commissioner for Development and Humanitarian Aid was the source of this photo of an African refugee camp in 2005.

But here it’s Halloween.

Photo by D’Arcy Norman: licence as http://creativecommons.org/licenses/by/3.0/